Tuesday 21 October 2014

The full short story I wrote about my time in drag racing.

 

GREEN WITH ENVY. My life in drag racing.

I went to my first drag racing meeting in 1986. Heavily pregnant with our first child, I wasn’t really that keen on going. It was a cool day and slightly overcast. Martin had been threatening to take me to a meeting from the minute we’d started dating three years earlier. I’d managed to get out of going up until then. I wasn’t really a motorsport fan; my idea of a good Sunday was a game of tennis or a walk in the mountains.

Already a day overdue, I was the size of a barrage balloon. Searing pains shooting through my legs made me wish for the oblivion of sleep. If I was to go, I wanted a comfortable seat and plenty of warm drinks.

The skies were a soft dove grey, peppered with marshmallow like clouds. Occasionally opening out, they revealed rays of longed for sunshine.

By early afternoon I’d seen as much racing as I could stand. While Martin photographed every pair of cars that lined up to race, I curled up on the grass bank. One waterproof army poncho over me another under me, I went to sleep. I didn’t notice when the jet car rumbled up the track, or the ground vibrating as the engines roared away, flames shooting out the back. I didn’t hear a nitrous fuelled engine blow up in the pits, spewing parts into the crowded concessions area. It wasn’t the only time I missed ‘the action’, just the first.

Over the next few years we would go racing once or twice a season. We would leave our daughter, and then our son too, with my parents. Eventually I took over the photography, leaving Martin to enjoy the spectacle.

By 1990 I’d become a regular alongside racers and crew, photographing cars, engines and team members. I would joke with them about the boredom of a racing life. I envied them their motorhomes, where they cooked lunches, and made cups of tea in the cold weather.

We travelled every day of the meetings, taking sandwiches and a flask, just enough to sustain. We took only one rucksack, any more would have been an inconvenience. Our cameras took up a lot of room, and were far more important than food. When you were making room for yourself by the track, vying with other photographers for the best spot, you didn’t worry about bags.

Two years later and we become more than just spectators. At the last meeting of the previous season I’d been introduced to Leigh and Pat. Leigh was a quiet man; his Frog Eyed Sprite had blown a gasket and he wasn’t in the best mood, but he welcomed Martin and me with smiles and hugs. At five foot eight and nine stone wet through, Leigh fitted the mental image I had of him perfectly. Martin had talked about growing up next door to him many times.

During the winter off-season Martin and Leigh found a new race car and modified it, making it ready for the opening race meeting. That was when we became the Green With Envy Drag Racing Team.

A beautiful topless E-Type Jaguar, she was British racing green with a Jaguar 3.8 litre straight six engine, and a full roll cage in black. Low to the ground and sleek, she ran on unleaded petrol and nitrous oxide. This volatile combination meant she could run the quarter mile in just over nine seconds. Running those times would have meant adding a parachute to the back to slow her at the finish. Not wanting to spoil her looks, we joined a slower race class, running as close to 10.90 seconds as possible. Any quicker meant breaking out and losing the race.

Purring like the cat she was named after, a low, steady, throaty growl, she would spring from the start line. With a burst of speed she covered the ground running down her prey before flying over the finish line victorious.

Drag racers can’t run in the rain, slick tyres are used on them. This means that the rubber is smooth, the rear tyres are huge, fourteen inches across, and need heat to get grip. The heat is achieved by a burnout, the most wonderful sight. While the car is stationary, the rear tyres are spun up in a patch of water. As the heat from the spinning tyres evaporates the water, smoke begins to billow out, white clouds form to obscure the car.

The smell of burning rubber stays in the air, catching your nostrils. Standing close and breathing it in, you get a head rush, breath in too much and you go dizzy. Stay around the start line too long and addiction follows, craving the smell of burnt rubber, spiced with the tang of fuel. It’s an aroma that stays in your head long after it’s washed out of your clothes. Some days you will stop in your tracks like a wolf catching the smell of food. A familiar, longed for hint on the breeze transports you back to the trackside.

As the cloud of smoke fills the air, suddenly the driver will take his foot off the brake and the car jumps forward. Getting grip on the now dry tarmac, the tyres are hot and sticky, at the point of melting.

The team soon became firm friends, travelling all around Europe to one meeting after another, having a laugh, winning more often than we lost and by the end of the year we were class champions. For the next five years we won consistently. Leigh was dubbed the cat for his lightning reactions. When he was behind the wheel of that car he was a machine, but if something went wrong, if he red lit[1] or made a mistake, he was a nightmare.

In 2004 we went to Mantorp Park in Sweden for the Veidec Festival. In the last week of July we set off for Harwich to catch the ferry to Holland. By now my kids had left school. Beki, my daughter had just begun her gap year before university, and David had been accepted into catering college.

‘Don’t forget to enjoy yourself, and if you want to get me something from duty free, I could do with some ‘bacca’.’ David was already laughing as he turned and shut the door.

The journey to Sweden took over three days, beginning with a five hour journey in the back of the transit to the docks. The transit had been transformed earlier in the day electrical wire junction boxes and tool boxes were replaced with custom built seats filled with bedding and food, a mini fridge, rucksacks filled with clothes, and a tent bag containing the awning for the car to go under at night.

Behind the van we towed our custom built white panelled trailer that housed the Jaguar, strapped down for the journey, she was a snug fit. The car was so low to the ground, making room above her in the trailer for our hob and sink, another small fridge and more storage cupboards. Not an inch of usable space was overlooked as we packed, the toilet we tucked into the front of the trailer alongside the shower and its pipe work, which would be set up on the outside of the trailer at the meeting, in the shower tent.

Sweden was wonderful. It never went dark; dusk and dawn met each other keeping the night at bay. When we arrived, having travelled in convoy with another race team, we set up our pits. Later we walked the circuit, getting to know where the toilets were, the club and food halls, and of course the offices to register our arrival and book in for scrutineering[2].

When everything was settled and Pat and I had the afternoon meal cooking, Leigh and Martin took the car out for a test run.

‘What’s up Leigh?’ Pat and I asked when they returned. The thunderous look on Leigh’s face telegraphed his fury.

‘The engines running sluggish, needs the new jets putting in.’ Leigh didn’t raise his voice, but the chill his words gave off told us something was very wrong.

‘So put in the new ones you got last week, you knew this was a possibility.’ Pat said.

We had asked other racers what jets they used in their cars at this track, and made sure we had a good supply.

‘We haven’t got any Pat.’ Martin said quietly, motioning to us to come out of the trailer. When we got outside, Martin explained.

‘There’s only half of the new set we got in the week there. The ones we need have gone.’

‘Oh let me guess’ Pat didn’t raised her voice, her blue eyes change from warm to ice cold, her smile disappeared. ‘Kev’.

‘Looks like it, he was up the unit on Wednesday’ Martin explained. ‘Scott’s racing tomorrow at Shakey[3].’

Kev was Leigh’s brother. His stepson was racing that weekend, and it looked as if they had once again taken parts from the Jaguar stock to put on their machine.

‘Leigh’s gonna ring Kev now.’ We knew what was coming, even standing outside we could hear Leigh’s side of the conversation.

‘Kev, you just had to do it didn’t you?’ There was a brief pause before Leigh went on. ‘The jets I bought last week … yes them… What do you mean you needed some? So did I. That’s why I put my fuckin’ hand in my pocket and bought the bastards. You just waltz in and nick 'em you thieving git; I’m fuckin’ sick of it. You’re a useless piece of shit.’

I guess then he rang off because seconds later there was a loud crash as his mobile was smashed against the wall.

Dave, one of the other racers, our travelling companion and a bit of show off most of the time, was there within minutes with a box full of jets of different sizes. That’s the nice thing about most of the racers; they are good lads at heart, willing to share if they can. A big man in build and character, over six foot with a pot belly, Dave always wore garish buttercup yellow knee length shorts and dark purple shirts. Combined with his bleached blonde crew cut hair and well defined calf muscles that could be seen to expand and contract as he walked, he was a memorable figure around the track.

Dave drove a ‘Model A’ panel van the same deep purple as his shirts, with the team name on the side, ‘The Dark Revenger’. This meeting he needed another crew member, so Pat and I took it in turns to help at the start line, which was hysterical. Dave had OCD; no one could put their hands on his van without a cloth under the hands or gloves on. He parked his car on a carpet laid out inside his awning, and vacuumed around it every couple of hours. The car had been lovingly polished three or four times between every race. God help anyone who dared step over the rope into his space uninvited.

He was a good laugh, but not someone either Pat or I would trust around our daughters. He was a dirty bugger, and didn’t care who knew.

The meeting went well until the fourth day when suddenly out of nowhere snow fell. The day started out cold and windy, and by ten in the morning it was raining hard. Finding that the trailer had several leaks, we contained them with saucepans and pint glasses, all the time complaining about shoddy workmanship.

Thunder echoed repeatedly around Mantorp as we played cards in the warm trailer. The tap tapping of the rain slowly building in tempo as the afternoon wore on. Phil Collins crooned away in the background as the smell of curry and rice permeated the air. The dry piney tang of my second glass of Retsina slipped down smoothly as I won another hand of cards.

When Dave joined us around three I was on a roll, and we were falling about laughing.

Suddenly Leigh or perhaps it was Dave suggested strip poker. Martin warned them against that idea.

‘Josie’s a card shark guys, she’ll have you in your birthday suits inside the hour.’

‘Spoil sport’ I pouted. It wasn’t a total lie; I’d paid my college tuition and bought my art supplies by playing cards. ‘I had a chance there of finding out why Pat is always smiling’

‘You wouldn’t have got your answer there.’ Pat joked, ‘good things don’t always come in small packages you know.’ Pat grinned at Leigh, who winked at her.

‘Sort the drinks out and behave.’ Martin snapped at me. He could be very playful at times, but often went out of his way to embarrass me. If I managed to bounce his playfulness back though, he would sulk.

When we opened the door at six that evening the rain had stopped to be replaced by snow. It wasn’t thick yet, just a light feathery carpet of blue-tinged cotton wool. The sky was the most magical vision, like in a childhood dream of Santa’s’ wonderland. Wispy white clouds released their wondrous gift into an azure sky.

In just under a week we had gone from temperatures in the twenties with no wind and plagues of mosquitos, to torrential rain. High winds buffeted the van and trailer, rocking us to sleep and then waking us with a jolt, as the gusts smashed against the exposed sides. Then snow.

‘If it doesn’t stop by morning and warm weather reappear, we’ll be packing up and leaving.’ Leigh said that evening.

The next morning at eight the meeting was called off. By virtue of having gained the most qualifying points we won the class. We took home the trophy and enough money to cover the ferry cost. With low spirits we packed up and started our journey back through Europe at a leisurely pace.

By the time we got to the German border with Holland the weather was back up in to the twenties, the sun was out and we were once again in our shorts and t-shirts, sweltering away inside the transit van.

We were team mates until 2010 when Martin passed away. I still go drag racing, and now my son and grandson go too. Leigh, well he still races Green With Envy, and he is still winning.

Santa Pod is where I feel closest to Martin, down at the finish line sitting in the grass. His ashes were scattered out of the back of the E-Type at 120 miles an hour, as Leigh made a memorial pass down the track. Ruining his qualifying run by breaking out of his class bracket, Leigh covered the quarter of a mile in 10.20 seconds, 0.7 seconds too quick.

Martin became one with the tarmac and rubber, the track glue and wind. Martin loved drag racing. What better way to say goodbye was there?


[1] The start line has a ‘Christmas tree of lights’. At the top are a series of amber lights, the reaction timer starts when the third amber comes on. Since there is a half-second (or .500 seconds) delay until the green light comes on, a .500 reaction time is perfect. Leaving the line before the green light will result in the dreaded red light... a foul start, and losing the race.

[2] This refers to the checks performed on each car and bike before the start of a race meeting to ensure that they conform to the rules and safety regulations. Any machine that violates the rules and regulations will automatically be disqualified from the race.

[3] Shakey, the name racers have given to Shakespeare County Raceway, a drag racing strip at Long Marston just outside Stratford upon Avon.

Tuesday 5 August 2014

Final episode.

 

So today we draw this drama to a close.  I hope that you have liked reading it.  I will continue to post pieces of work I have done, but nothing can compare to this.

 

FOR THE LOVE OF A WOMAN, by Lorraine Horne.

 

It is now December 11th 1936. Thomas and Elizabeth are married. It is the day of their daughters Christening. Both families have just arrived back at the farmhouse from the church. The ladies all make a fuss of the sleeping baby.

 

LADY MARJORIE:

Elizabeth, Mary was such an angel right up until the water touched her head. My what a pair of lungs she has. She certainly let us all know she doesn’t like water on her hair.

ELIZABETH:

I was afraid of just that. Mary really doesn’t like her head wet at all. Dad says she’ll be afraid of water.

 

In the sitting room Thomas puts on the radio. The men find somewhere to sit as they wait for the announcement everyone knows is coming.

 

THOMAS:

Do you think we’ve missed it Father?

SIR JAMES:

No. I think we’d have heard in the town had the announcement been made.

(pause)

I can’t believe he’s actually done it. To choose Wallis over his duty?

THOMAS:

He said he would marry the woman he loved. Obviously this is the only way that can happen.

(beat)

I just hope he can be happy in the knowledge of what it’s cost.

ELIZABETH:

I’m going to put Mary down in her crib. Has someone put the kettle on to boil?

THOMAS:

I think your mother was going to do it.

 

As the men sit around listening to the radio, waiting for news, the ladies fuss with drinks and the children. Elizabeth leaves the room with the baby just as SIR JOHN RAITH’s voice comes over the radio. Amberline turns up the volume and shushes the children.

 

SIR JOHN RAITH:

This is Windsor Castle. His Royal Highness Prince Edward.

DAVID:

At long last (beat) I am able to say a few words (beat) of my own.

(pause)

I have never wanted (beat) to withhold anything, (beat) but until now (beat) it has not been constitutionally possible (beat) for me to speak.

(pause)

 

Elizabeth comes back into the room, and walking over to Thomas’s chair sits on the arm and puts her hand on his shoulder. Thomas puts his hand on top of hers.

 

DAVID: (cont’d)

A few hours ago (beat) I discharged my last duty (beat) as King and Emperor,

(pause)

and now (beat) that I have been succeeded by my brother, (beat) the Duke of York, (beat) my first words (beat) must be to declare my allegiance to him.

(pause)

This I do (beat) with all my heart.

(pause)

You all know the reasons (beat) which have impelled me (beat) to renounce the throne.

(pause)

But I want you to understand (beat) that in making up my mind (beat) I did not forget (beat) the country or the empire, (beat) which, (beat) as Prince of Wales (beat) and lately as King,

(pause)

I have for twenty-five years (beat) tried to serve.

(pause)

But you must (beat) believe me (beat) when I tell you (beat) that I have found it impossible (beat) to carry the heavy burden of responsibility (beat) and to discharge my duties as King (beat) as I would wish to do (beat) without the help and support (beat) of the woman I love.

 

Thomas squeezes Elizabeth’s hand. Elizabeth has a tear falling down her cheek. She sniffs quietly. As the family continues to listen to the radio, Elizabeth and Thomas slip out of the room.

 

ELIZABETH:

Oh Thomas. I feel so sorry for them. Wallis so wanted to be Queen. Do you think they will ever marry now?

THOMAS:

I bloody hope she marries him now he’s given up everything for her.

ELIZABETH:

I hope so too.

 

Elizabeth wraps her arms round her husband as their daughter starts to cry. They smile at each other and walk arm in arm back into the farmhouse.

 

FADE OUT.

 

© L J Horne. 2014.

Sunday 3 August 2014

FOR THE LOVE OF A WOMAN.

 

There are just two more episodes of this drama left.  Here is the first of those two.

 

FADE IN

April 1935

INT. ROSEDALE HALL. SIR JAMES STUDY. EARLY AFTERNOON.

The study is a typical gentleman’s study. Filled with dark furniture including a large desk, behind which Sir James is sitting. Thomas is pacing the room.

 

SIR JAMES:

Elizabeth is a nice young woman, she has conducted herself very well but she is still not of the right breeding to be your wife.

THOMAS:

And if I choose to marry her anyway?

SIR JAMES:

If you insist on being so foolish then you’ll support yourself.

THOMAS:

You think that threatening to cut me off will change how I feel about her? I love her. I won’t spend my life without her.

SIR JAMES:

Thomas, see sense boy. Nothing good can come of you marrying below your station. Elizabeth knows nothing of our world. It will overwhelm her. I admire her spirit and her courage, but this can never be her world. You should finish this now and give her the chance to find someone else.

THOMAS:

I thought you liked her? Mother said you found her wonderful company?

SIR JAMES:

I do. She’s intelligent, polite. She understands the business world far better than you or your brothers. John Holte wishes he had more workers like her.

(beat)

And there’s the problem. She’s working class. Her roots are in the gutters of the town, not the lawns of the estate.

(pause)

No this could never work. She’ll be unhappy in your world, and you’ll be unhappy in hers. You’ll end up hating each other.

THOMAS:

How can you be so sure?

SIR JAMES:

I’ve seen it before. Your own Godparents came from different backgrounds. In the end their love died.

THOMAS:

That was a long time ago. Things were different then. Attitudes have changed since the war.

SIR JAMES:

That may be so, but it will still take many more years before we see any real benefit. Keep Elizabeth as your mistress if you must, but marriage is out of the question.

THOMAS:

My mistress. Never. Elizabeth is not the sort of girl one takes as a mistress. She’s not like most of the girls in town. She has respect for herself, and for her family. I won’t do that to her.

(beat)

No Father, I’ll marry her with or without your blessing.

SIR JAMES:

You’re not the young man I thought you to be. I was sure you’d give Elizabeth up at the first mention of being made to work for your own money.

(beat)

You’re sure you won’t just take Elizabeth as a mistress and choose a more suitable wife?

THOMAS:

Very sure. I would prefer to beg for work in town than give her up.

SIR JAMES:

Very well then. You have my blessing. If her father gives his permission, and Elizabeth agrees to be your wife, then you may marry her.

THOMAS:

One more thing Father.

(beat)

We’ll need somewhere to live.

SIR JAMES:

The farmhouse at Little Endsford has just become vacant. If you agree to oversee the farm labourers, you may have that to begin with. It will need a lot of work done before it’s fit to live in.

 

Thomas reaches the door and grabs the handle to open it. As he does so, Sir James calls to him.

 

(cont’d)

Just one more thing. I won’t pay for this wedding. If her parents can’t afford to pay then you must. I suggest you put some of that money you throw about the card table so easily to better use. Your grandmother left you a very generous stipend. It’s now time to use it for something other than fun and games.

THOMAS:

Thank you Father. Will you and Mother attend the wedding?

SIR JAMES:

But of course. Our son is getting married. That is a day for celebration.

(beat)

No matter whom he chooses to marry.

 

Thomas leaves the room. Sir James shakes his head sadly.

FADE OUT

FADE IN

The same afternoon.

INT. ELIZABETH’S HOME. MID AFTERNOON

Elizabeth and her father AMBERLINE are in the parlour of a small back-to-back yard house.  Everything is old and worn out, but clean and tidy.

 

ELIZABETH: (angrily)

That isn’t the point Dad. You had no right to give her my new shoes to wear. I hadn’t even worn them yet. I saved for weeks to get them. Just for once I wanted something that was mine.

 

Amberline and Elizabeth are now shouting at each other.

 

AMBERLINE:

Don’t you raise your voice to me girly. Unity needed them, I don’t have the money to go buying shoes, and there was a pair sitting there. You should be grateful your sister could go for a job, instead you gripe about ownership.

(beat)

You’re changing, and it’s not for the good. Soon we won’t be good enough for you. You’ll be ashamed of us. (shaking his head sadly)

I said no good would come of you mixing with them Toffs.

ELIZABETH:

You’d have enough to buy her a pair of shoes if you stayed out of the pub occasionally. It’s not as if you don’t have a good whack out of my money each week.

 

Elizabeth storms out of the parlour to the scullery.  As she does so there is a knock at the open door.  Thomas is standing there.

 

ELIZABETH:

Thomas. I thought you said tomorrow evening? Is something wrong?

THOMAS:

Tomorrow, - yes. No, nothing’s wrong; I just need to talk to your father…Alone.

 

Amberline has walked into the scullery.  He looks from Thomas to Elizabeth quizzically.  Elizabeth looks at him and shrugs her shoulders.

 

AMBERLINE:

You’d best come through to the parlour lad. Bess your Mam’ll be home soon, best put the pot on to boil.

 

Thomas follows Amberline through the scullery to the parlour and closes the door behind himself.  Amberline stands with his elbows on the fireside shelf.  Thomas faces him.

 

THOMAS:

You must be wondering why I’ve come to see you Sir?

AMBERLINE:

Suppose it’s cause you’ve gotten Bess in trouble?

THOMAS:

No Sir. I’ve come to ask for your permission to marry Elizabeth.

AMBERLINE: (surprised)

And she aint pregnant?

THOMAS:

No Sir. Why would you think she was?

AMBERLINE:

Well, I know all about your reputation with the young girls.

THOMAS:

I’ve enjoyed my fair share of the girls in town, I agree, but Elizabeth is different. I love her.

AMBERLINE:

And you’ve told your father of this? What does he have to say? Not best pleased with a peasant’s daughter joining your ranks I’ll wager.

THOMAS:

He has his doubts about it, I admit, but he’s given his blessing.

AMBERLINE:

I see… She won’t be expected to skivvy for no one?

THOMAS:

I have a job overseeing my father’s farms in Little Endsford. We’ll have a home there. Elizabeth won’t need to work for anyone. If she chooses to occupy her time with something, then that’s something we can discuss.

(pause)

So Sir, do I have your permission to ask Elizabeth to marry me?

AMBERLINE:

It’s not my permission you need lad, it’s hers.

 

Amberline walks to the door and opens it, calling out as he does so.

 

AMBERLINE: (cont’d)

Bess, a word girly.

 

Elizabeth is heard putting something down on the table, and then walking towards the parlour.  Amberline waits for her to appear before leaving the room and closing the door.

 

ELIZABETH:

Thomas. What’s going on?

 

Thomas takes Elizabeth by the hand.

 

THOMAS:

Elizabeth, I’ve asked your father, and now I’m asking you. Will you do me the honour of becoming my wife?

ELIZABETH:

Don’t be daft. As if Sir James is going to let you marry the likes of me. (laughs) There you go being a twit again.

THOMAS:

On the contrary. He’s given his blessing. Your father says that it’s up to you.

ELIZABETH:

Just like that? Where will we live? There isn’t room here.

 

Elizabeth pulls her hand from Thomas’ and walks over to the chair by the window.  She sits down heavily into it.  A mouse runs along the edge of the wall under the window, disturbed by the sudden movement in the chair.

 

THOMAS:

We’ll have a farmhouse in Little Endsford. I’ll oversee the farm labourers. You can make a home for us.

ELIZABETH:

What about the people who live there now? What will they do?

THOMAS:

The farm is newly vacant. Father had to let the farm manager go. He had an interesting accounting system it seems.

(beat)

So. You still haven’t answered my question yet Bess?

ELIZABETH:

No. I haven’t, have I?

(pause)

I don’t know Thomas. Can this really work?

THOMAS:

I love you. And I believe you love me?

ELIZABETH:

Yes, but you know that already.

THOMAS:

It’s as David once said. ‘Love is the only reason to marry’. More importantly, it’s the best reason to marry.

ELIZABETH:

There are many who would disagree with you. Wallis once believed that security in the form of wealth and position were just as important, and lasted longer. I think she may have changed her mind recently.

THOMAS:

David will marry her as soon as he’s able. Her divorce is under discussion. Let’s hope that all goes well for them. David is used to getting everything he wants, and he wants Wallis.

ELIZABETH:

He’s been spoiled, just like you. No wonder you two are friends, you both have an eye for the ladies and you love gambling. That will have to change, you know?

(beat)

I won’t have you spending all your money on card games and loose women. If you marry me, you will have no other women.

(pause)

Is that possible Thomas? Can you be satisfied with just me?

THOMAS:

From the day you agreed to go out with me there’s been no one else, Elizabeth. You stole my heart. I need only you.

ELIZABETH:

Pretty words.

(beat)

And the gambling?

THOMAS:

I can only promise to try. It will be difficult. Card games are a part of my social life.

ELIZABETH:

Promise me Thomas. I won’t agree to marry you without your word on this.

THOMAS:

I promise you that I’ll love only you.

(beat) (cheekily)

And my mother of course.

ELIZABETH: (serious)

And the gambling?

THOMAS:

Oh dear. You really mean it.

(pause)

Very well. I promise that I’ll do my best to avoid gambling. I can’t make any other promise than that.

 

Elizabeth rises from the chair and stands before Thomas.   She smiles at him and takes his hand in hers.

 

ELIZABETH:

Then Thomas. My answer is yes.

(beat)

Yes, I’ll marry you.

 

FADE OUT.

 

© L J Horne. 2014.

 

I hope you are enjoying reading this piece.  It took a long time to get round to finally writing this piece, nearly twenty years in fact.  Many things kept me from writing it before now, and I will tell you about those things once the last episode has been posted, and you have had time to wonder what happened next.  Perhaps one day I will write that up too.

Saturday 2 August 2014

hectic week.

Well I’ve had a very hectic week here with my grandchildren.  We have been down to the seafront, with their daddy and aunty Beki who came to see them.  I got to sit on the prom with a cup of tea whilst they went down to the sea for a paddle.  This was last Saturday.  Everyday we took them out, to the park, or the seafront, and nearly every day they went to the arcades.  Nanna had the job of keeping them supplied with drinks, sun cream and money.  Unfortunately, on Thursday whilst playing football at the park with his daddy my grandson Ty who is five, broke his wrist, so went home to mummy and her partner on Friday in a cast.  The cast will remain on until 28th August, just four days before he goes back to school.  They are back with me again in 13 days until the 30th. 

So at long last here is the next episode of FOR THE LOVE OF A WOMAN.

 

FADE IN.

INT. FELTSTONE DINING ROOM. LATE EVENING.

The meal has just finished and the gentlemen are sitting enjoying a cigar and drink. Elizabeth is sitting between Sir James and John Holte, with Thomas on the opposite side of the table between Wallis and Florence Norman. As the cigars are lit the ladies rise and make their way out of the dining room.

 

SIR JAMES:

Well that went well Thomas. Elizabeth was a pleasure to be around. I begin to see why you have become besotted.

JOHN:

Indeed, she has a great deal of knowledge considering her education. I hate to admit, I am surprised. I was quite prepared to be annoyed by her. I could never sit through a meal with my Emily; she is all ‘Bitsy said this and Bitsy said that’, with no substance to her conversation. How we shall find her a suitable willing husband I don’t know.

THOMAS:

Emily will make a good wife for the right man, John. Many men wait for the right time to show their hand. Your trouble may be weeding out the ones who are there not for your daughter, but for your factory.

JOHN:

We need to ensure that we can marry her to a man who could benefit the family as well as make a good husband.

(pause)

This Bitsy Fitzroy is a bit of a wild thing. Do you know she actually allowed the shoulder of her robe to fall as we passed in the corridor the other day? Such brazen behaviour.

THOMAS:

We know Bitsy. She’s a little loud and wild for my taste. Her parents tried to make a marriage for her with Cyril Norman. Of course, Samuel and Florence were not impressed. Cyril courted her for a few weeks, but she was too loud for him.

SIR JAMES:

I would imagine her parents are getting quite concerned that they’ll make a match for her. She shows no intentions of making her own match. I heard just last week that she was caught leaving the room of a young pilot at the Dorchester.

DAVID: (to Thomas)

I think I may know the young lady you mean. Tall, long legs, blonde hair? Was with Billy Latimer last week at Henry’s bash?

THOMAS:

That’s the one.

 

In the drawing room the ladies are talking. Evaline is mingling amongst her guests. The ladies have separated into two groups; Wallis and Elizabeth are talking with Mary Morris by the piano, whilst Lady Marjorie and Florence Norman are over by the fireplace with other ladies.

 

WALLIS:

Just ignore them, I do.

 

Both women look across towards their hostess and Lady Marjorie.

 

ELIZABETH:

Oh, I’m used to it. My family has been the subject of gossip all my life. I just don’t want Lady Marjorie embarrassed by it.

WALLIS:

I really don’t think she is.

(beat)

So you’re just keeping up a family tradition. Do tell.

ELIZABETH: (laughing)

Stay around here long enough and you’ll hear it all. Suranne is my mum.

WALLIS:

Oh, lucky you. So can she fit me in do you think? I’m free tomorrow morning.

 

Elizabeth looks unsure how to answer.

 

WALLIS: (cont’d)

I’ve put you on the spot. I’m so sorry Honey. I really do like your dress though. Very fashionable and up to date. The cloth is just divine.

MARY:

Don’t worry so Elizabeth. Marjorie can handle a little gossip.

(beat)

Just remember that your mother worked hard for everything she has. She refused to take anything she had not earned, even when faced with the workhouse. You can be proud of her, no matter what the gossips say.

ELIZABETH:

Thank you Mrs Morris. I’m proud of her, we all are.

MARY:

Good, now do either of you play? (taps the piano)

I’m afraid I was not a very musical student.

WALLIS:

Oh yes I love to play. Now do you think the others would enjoy a spot of Mozart?

MARY:

I’m sure they will, unless of course you’re tone deaf.

 

Evaline is talking to the ladies in the other group. When Wallis begins to play she looks across to the piano, before returning her attention to the conversation.

 

LADY MARJORIE:

The weather was very pleasant. John and Emilie are settling in now and of course their French staff are very good, which helps a great deal.

EVALINE:

Well, I would never have thought Wallis would play the piano, and so beautifully too.

LADY MARJORIE:

Evaline you are showing your prejudice again. I’m told Wallis attended Oldfield’s school in Baltimore. One of the best on the American east coast. I would imagine learning the piano is considered a useful talent for young ladies, just as it is in our own private girl’s schools. Which one did you attend Evaline?

 

Evaline looks uncomfortable as Lady Marjorie and Florence continue their conversation. Mary and Elizabeth stand by the piano talking to Wallis as she plays Mozart.

 

MARY:

I’ll leave you ladies to talk and go over and rescue Evaline. She’s very good at saying the wrong thing. It looks very much as if she’s done it again. Excuse me.

 

Mary leaves the piano and joins Evaline, drawing her away from the other group of ladies.

 

ELIZABETH:

You play beautifully Wallis. I would love to play but my education didn’t include music.

WALLIS:

I was taught as a young child by my beloved uncle. Of course, it helped that I love music. It has helped me a great deal through the years. When I was sent to a private girl’s school I had to work hard to be accepted. Being able to play the piano helped.

ELIZABETH:

You come from money though don’t you?

WALLIS: (laughs)

Oh no dear. I was the poor relation. My uncle paid for my education hoping I could make a good marriage because of it. After father died when I was a baby, mother had nothing. We went from one relative to another for years.

ELIZABETH:

We have a lot more in common than I thought. You have so much confidence, something I put on. Inside I’m so unsure, frightened that I’ll say the wrong thing, do something to embarrass Thomas.

WALLIS:

So, Thomas? He’s a very handsome young man. I have to ask Elizabeth, is this relationship about his status, or about the man?

ELIZABETH:

Well, that was direct and to the point. (smiles) I like that. No one has even thought to ask me that.

(pause)

I like him, a lot. He’s such fun to be with, so cheeky, and handsome, but there’s something else. He puts on a good front, but underneath, I think he’s frightened.

 

Wallis finishes the Mozart piece and closes the lid of the piano. She lead Elizabeth across to the seating and signals to a maid to bring fresh drinks.

 

WALLIS:

Sounds to me as if you’re falling for him. They get you that way. You start out wanting a bit of fun, perhaps a few nice gifts, being taken to nice places, and then before you know it, you’re in deep.

ELIZABETH:

And is that how it is for you with the prince?

WALLIS:

Good grief no!

 

Wallis laughs and draws the attention of a few of the other people in the room. The maid places two fresh glasses beside them and leaves.

 

WALLIS: (cont’d)

I like him. He gives me beautiful gifts, asks my opinion and listens to me. He’s very handsome and very rich. Oh, don’t get me wrong. I intend to be the wife of the King, but love has nothing to do with it.

(silence)

Oh now I’ve shocked you.

ELIZABETH:

Yes, I suppose you have.

(beat)

I realise not all marriages happen for love. Not many do even in the lower classes. I just thought from the way you treat each other that there was love on both sides.

WALLIS:

David is like a puppy. He is besotted with me, and I like the attention. As I get older my looks are fading. To have a very handsome, charming man like David think I am special is wonderful. If love does develop that will be even better. Being the wife of the King will mean I never have to worry about where the money is coming from for my beauty treatments, the fine clothes, good food, and of course the jewels.

(pause)

Remember just one thing, if nothing else that I tell you. Accept all the jewels you are offered. In old age they can turn a saggy old woman into a beautiful picture. They take the eye away from the skin. And if you ever fall on hard times, they can be sold.

ELIZABETH:

Thomas hasn’t given me any jewellery, and I wouldn’t take it if he tried.

WALLIS:

You’re young. You’ll learn soon enough. Grab every opportunity that comes your way and hang on. Fight for the things you want, not just the things you need. You’re a beautiful young woman; you deserve the best in life.

(pause)

Our hostess is talking about us again, I think. Shall we make our way over and comment on her lack of manners?

ELIZABETH: (smiling)

Wallis, you’re terrible.

(beat)

Oh, go on then. I’m fed up with being looked down on. I’m as good as she is.

 

As Wallis and Elizabeth take their drinks and cross the room to join their hostess, the gentlemen enter the room. Elizabeth’s attention is immediately drawn to Thomas and the prince. Sir James crosses to Lady Marjorie. Thomas and David wait for Elizabeth and Wallis to join the group before nodding to the maid for drinks. When Elizabeth reaches Thomas, he puts his arm around her waist for a brief moment. Wallis smiles at the prince then winks at Elizabeth.

 

WALLIS:

I was just telling Elizabeth what an asset a good jeweller is. Every lady benefits from a good wardrobe and fine jewels. Don’t you agree Thomas?

THOMAS:

I am sure they do Wallis, but Elizabeth is too beautiful to adorn.

DAVID:

Thomas, you’ll soon learn that even the most beautiful rose is transformed when it wears an adornment of a drop of dew. Giving Elizabeth a diamond or sapphire will highlight the gifts Mother Nature adorned her with at birth.

 

 

The evening draws to a close. The guests finish their drinks and take their leave.

FADE OUT.

 

© L J Horne. 2014

 

Well I hope you are enjoying reading this period drama.  Please leave me some feedback, and pass on my blog address to your friends and family so they can read it too.  Just copy the link on my Facebook page or from the top of this blog and add it to your own Facebook page.  The more people who come and see it, the happier I am. 

Thursday 24 July 2014

Finally I have internet access again.

 

 

For the past seven days I have had no broadband internet access.  I have never been so frustrated with something so silly.  I always thought that I was a sensible person, but now I know different. 

The lack of internet was so debilitating for me.  I bank via the internet, I work on my university courses via the internet, even my recreation is partially internet based. 

It felt like someone had cut off my arms.  Oh I have a mobile smartphone, but even the data connection on that was playing up.

So in the end I took myself off to a friends home and borrowed some of hers. 

I could have spent this time productively, making cards or writing, but all I kept thinking about was the internet access problem, and the longer it was off, the more frustrated I got and the less concentration I had for anything else.

This morning a nice BT engineer came out, lifted the handset of my house phone, shook his head and said – this is a line fault not a broadband fault, they should have sent this job out last week.

Apparently I was luckier than a lot of people in the next village – Chapel St. Leonards.  They suffered a direct hit by lightening in the village and it travelled down both the telephone lines and the electricity cables.  So many homes have now got televisions that are useless, computers fried, laptops that were plugged in dead, the list goes on.   All that happened to my line was the resistors/connections up the pole and in the junction box were knocked out.  The problem was fixed within half an hour.

So guess who I’m writing to next?  BT are being told that they need to re-train their personnel in India, so that they don’t tell customers a pack of lies, can diagnose the correct fault and listen to customers when they give them information.  I am also not going to pay for the last weeks broadband and call package as I have not had the service.  Lets see how they feel about that one.

 

FOR THE LOVE OF A WOMAN 

EPISODE FOUR

EXT. FELTSTONE HALL. EARLY EVENING.

Thomas and Elizabeth are walking up the short drive of Feltstone Hall. In front of them at the top of the driveway stands a large Georgian manor house. Elizabeth is wearing a very modern evening dress of a soft blue colour, with a high, slightly draped cowl neckline and capped sleeves. The bodice is fitted with a gathered skirt that has yards of material and has an irregular hemline. She is carrying a black evening bag with a thin strap and has on new black T-strap shoes chosen to match the bag.

 

THOMAS:

Ready?

ELIZABETH:

No.

(beat)

Do I look okay? Is my dress right?

 

Thomas takes her hand and gently pats it.

 

THOMAS:

You look perfect. Stunning. How did I get so lucky?

ELIZABETH: (smiling)

Twit.

(beat)

(cont’d)

You’re sure it’s okay for me to come? I don’t want Sir James and Lady Marjorie to be embarrassed.

THOMAS:

How could you possibly embarrass them? You have perfect manners. Not something I can say about some who will be here tonight.

 

Thomas and Elizabeth are shown into the drawing room where maids are milling around serving drinks. Over by the fire the ladies have gathered, amongst them is Wallis Simpson talking to Lady Marjorie and Evaline Holte the hostess. Thomas walks Elizabeth over to his mother’s side and introduces her to the ladies.

 

THOMAS:

Evaline, ladies. May I introduce my friend Elizabeth?

LADY MARJORIE:

Elizabeth, it is so nice to see you again. How is your mother?

 

Thomas smiles at the ladies before walking away to join the men. He is greeted by his father and the prince, who looks over towards the ladies before slapping Thomas on the shoulder.

 

ELIZABETH:

She’s very well, thank you Lady Marjorie.

LADY MARJORIE:

Let me introduce you to everyone. This is Evaline Holte, our hostess, over there in the blue velvet is Florence Norman and of course I believe you know Mary Morris? Perhaps you already know Wallis Simpson?

ELIZABETH:

Good evening ladies. No, Not yet Lady Marjorie

(to Wallis)

So pleased to meet you.

WALLIS:

Nice to meet you Elizabeth. What a wonderful outfit, you simply must tell me where you got it.

LADY MARJORIE:

I believe from the cut and the workmanship that it is a Suranne Hearn original. I have several outfits by her too. She does such beautiful work.

ELIZABETH:

Yes, she is very talented. When Thomas asked me to accompany him I realized that I’d need something a little special. This was completed only this morning.

EVALINE: (snidely)

Well you wouldn’t have anything suitable would you? This is such a different experience for you, isn’t it?

LADY MARJORIE:

Why Evaline. Elizabeth has many beautiful dresses.

(to Elizabeth)

Only last week Thomas was telling his sisters about a stunning apricot number you wore to the park Elizabeth.

ELIZABETH:

Thank you Lady Marjorie.

(to Evaline)

I’m very fortunate to have several beautiful dresses. Most of which are Suranne originals. Of course, I’ve been to dinner parties before, not with such a distinguished guest admittedly. (looking across to the gathered men)

WALLIS:

One of you must introduce me to this wonderful artiste. I need to get a new outfit for the races next month. Do you think she would have the time to do something for me?

 

Lady Marjorie walks away to talk to Florence and Mary. Wallis leads Elizabeth off to the side where they sit down. Evaline Holte is left standing alone.

 

WALLIS:

I’m so glad you’re here dear. Takes some of the attention from me.

(beat)

Is someone bringing you a drink over?

ELIZABETH:

No, I haven’t asked for one yet. To be honest I don’t know what I should ask for. I usually drink just gin.

WALLIS:

Gin and tonic then.

 

Wallis catches the eye of a passing maid and orders a small gin and tonic for Elizabeth and a whiskey and soda for herself.

 

WALLIS:

Now, how can I get in touch with your dressmaker?

ELIZABETH: (smiling)

I can ask her for you tomorrow if you’d like me to.

WALLIS:

If you don’t mind. Are you sure you have the time?

 

At the other side of the room the gentlemen are preparing to go into the dining room. Thomas and the prince are laughing together. Thomas is finishing his drink and cigarette, whilst the prince stands with his hand on Thomas shoulder head dipped towards him conspiratorially.

 

DAVID:

Very pretty, old boy. Is she a keeper?

 

Thomas looks across to Elizabeth and Wallis. A smile creases his eyes and curves his lips.

 

THOMAS:

Oh yes. Nevertheless, I worry she’ll let the others goad her into saying too much. She’s very outspoken.

DAVID:

Let her have her head boy. She must find her own way. Wallis may well be helpful to her tonight.

(pause)

Looks like we’re going in for dinner, shall we join our ladies?

 

The ladies and gentlemen all leave the drawing room and make their way across to the dining room. Left behind the maids collect dirty glasses and tidy the room.

 

FADE OUT.

© L J Horne. 2014

 

The weather here in Lincolnshire is beautiful, thank goodness  Tomorrow we collect my son’s two wonderful children from their mum and they get to stay with us for eleven days.  It’s going to be great, days spent down the park with a picnic, playing on the beach, and of course the ‘diddle’ems’

Don’t know what they are? 

Well many years ago when my own kids were little their daddy told them that the penny arcades were called the diddle’ems.  When asked why he just said ‘the noise the machines make’.  Of course the kids were still infants and they believed him.   The real reason was because he believed that they were rigged to ‘diddle’ or con people out of their money, especially small children.  He was probably right.  So the kids have always called them diddle’ems and now so do my grandkids.

Last year Ty and Ruby were bought up to Skegness by their mum and her partner with their baby brother for a long weekend.  We got a phone call from ‘Daddy Luke’ asking where the shop called Diddle’ems was because the kids wanted to go there.  Smile 

When they later came to stay with us for the rest of their school holiday all they could remember from their time at Butlins holiday park with mummy, daddy Luke and baby Joey was their time at the diddle’ems.

Aren’t children, especially the under fives wonderful?

Have a great day.  If I get time I will post the next episode of ‘For the love of a woman’ tomorrow after we get back from the Midlands with the children.

Sunday 20 July 2014

Third episode of ‘For the love of a woman’

 

 

April 1934

INTERIOR OF A CAR. EARLY EVENING.

Sir James, Lady Marjorie and Thomas are being driven into Feltstone on their way to Feltstone Hall. Thomas and Sir James are having a heated discussion, Lady Marjorie looks on quietly.

 

SIR JAMES:

Why do you persist in this folly boy? Can’t you see how you’re embarrassing your family? Doesn't it concern you how the town is gossiping about Elizabeth? You’re hurting Elizabeth and she won’t forgive you for it.

THOMAS: (voice raised)

Why would I hurt her? Bess is not some passing fling father. She’s intelligent, caring and funny. Please, just give her a chance.

SIR JAMES:

She may well be all of those things, but you can never change the fact that she’s a commoner. Look at her parents for God’s sake.

(beat)

Not exactly our sort. No Thomas, this just cannot be allowed.

 

Thomas turns to his mother.

 

LADY MARJORIE:

Oh Thomas. Listen to your father. Try to consider how it looks. Finish this silliness before it’s too late and you break her heart.

(beat)

Or worse.

THOMAS:

It was too late weeks ago mother. I think I love her.

SIR JAMES:

Love, you are too young to know love. Love is something you get from respecting someone, from sharing with them. Not something you feel in your loins boy. Stop this now before she tries to trap you.

(pause)

I will not pay off another young woman who finds herself with child. One illegitimate brat out there is more than enough.

THOMAS:

Elizabeth has more respect for herself than to do that. She’s more lady than any you have paraded before me.

(silence)

Why do you persist in comparing me with John?

(pause)

Do you ever wonder what became of his child?

SIR JAMES:

No. Why would we. She was quick enough to take the money and leave. John was very lucky.

 

Sir James looks away from Thomas, staring out of the window. Lady Marjorie stares into space, a sad look on her face.

 

THOMAS:

I invited her to join us tonight for dinner. Mrs Holte said I could bring someone to make up the numbers.

(beat)

Please… I won’t have her made unwelcome. Everyone there will look to see how you treat her.

LADY MARJORIE:

We would never cause anyone embarrassment.

(beat)

Our hostess, unfortunately, may be a different matter.

 

Thomas turned to Sir James, who is still looking out of the window. He touches his shoulder.

 

THOMAS:

Father?

SIR JAMES:

I will show Elizabeth the same respect I show any guest at these things. I can’t imagine I’ll have a lot to say to her. Will she know to stay with the ladies after dinner?

 

Thomas taps the chauffeur on the shoulder.

 

THOMAS:

Pull over here; I can walk the rest of the way.

 

When the car stops, Thomas gets out. Before closing the door he turns back to his parents.

 

THOMAS: (cont’d)

We will be at Feltstone before you go into dinner.

 

FADE OUT.

© L J Horne. 2014

 

I hope you are enjoying reading this period drama.  For the next episode come back tomorrow

 

An eventful few days.

On Thursday we had some storms pass over, one of which caused a power failure.  I wasn’t home at the time, but my son tells me that the power was gone for quite a while to the whole village.  This meant that my broadband Wi-Fi router was off.  Friday when I came home I set up my craft room, and took out my computer to catch up on the previous nights events.  All seemed well for a while, until my router dropped out.  I reset it, as I have done many times before, but this time it only lasted a few minutes.  That set the pattern for the rest of the day, ten minutes online then hours offline.  By seven in the evening I had come close to throwing the router out into the fields with the wheat.  I didn’t though.  I had a program to watch on TV, so that’s what I did. 

Being in a lot of pain from the arthritis in my shoulders back knees and ankles to name just a few places, I went to bed around ten.  It was not a good nights sleep – too hot and sticky.  Saturday dawned nice and early, along with my son who was upgrading his mobile phone in the morning in town, so we had breakfast and were in town by 9.30am. 

I thought that the broadband would be back on by the time we got back, but no such luck, and now my mobile couldn’t get a data signal because of all the other people using their mobiles in the area. 

I rang BT to be told that the exchange had suffered a direct hit with the lightening on Thursday morning which had caused thousands of cascade failures since.  My phone line is almost unusable and my broadband none existent until they can get it sorted.  Making it worse is the fact that everyone in the area who has a telephone uses that exchange, and they are all in the same position. 

A phone call to my mobile carrier gave me more bad news.  because of BT’s problems, everyone has turned to their mobile data plans to access the internet, which has meant that the signal strength each of us is getting is less, and I am one of the unlucky ones who will be effected because all those lovely teenagers are now off school for the summer, so they want their entertainment, streaming music and games over the internet.

Today I managed half an hour online via my mobile data plan.  I chose a time when everyone was either just sitting down to Sunday lunch or nodding off after eating.

ON THE UP SIDE

I am making more cards, and loom bracelets because I have nothing else to do.  My most recent finished project is also my first attempt at decoupage. 

IMG_0448 

 

Please leave a comment.  It lets me know that someone is actually visiting my little blog. 

Have a great day and don’t forget to come back tomorrow for the next episode of For the love of a woman.

Friday 18 July 2014

Serialisation of my film script.

 

FOR THE LOVE OF A WOMAN  by Lorraine Josephine Horne. (2014)

Please note I retain all copywrite to this play.

FADE IN.

A Week Later.

EXT. FELTSTONE PARK. LATE AFTERNOON.

Elizabeth and Thomas walk slowly through the local park, her hand is nestled on his arm, the hand of which is tucked into his trouser pocket. Every so often he touches her hand on his arm with his free hand. Behind them people are watching them, some smiling others with their head together gossiping.

Elizabeth wears a simple plain handmade cotton dress coat in one of the latest designs; Thomas wears a typical gentleman’s day suit.

THOMAS:

You see, I told you no one would be staring at us.

ELIZABETH:

You see only what you want to see. Plenty are turning after we’ve passed by. You’ll be the talk of the town by tonight.

THOMAS:

Do you mind so much?

ELIZABETH: (laughs)

No, but somehow I don’t think Sir James and Lady Marjorie are going to be best pleased.

THOMAS:

You should give us more credit. Even the Royals are becoming more relaxed about these things. You saw Prince David with the American Wallis Simpson the other evening. That would never have been allowed a few years ago, but times are changing. Father and mother will change too.

ELIZABETH:

Oh Thomas. If you really think that’s going to happen you’re a few pennies short of a shilling. The King will soon stop that relationship.

THOMAS: (condescending)

And exactly how do you think the King will do that? David is an adult. Will he lock him up in the tower, banish Wallis from the country?

ELIZABETH:

Dad says the Prince will be sent off on another Royal tour abroad somewhere, and that Wallis will be bought off. He says her type is only after two things, money and fame.

THOMAS: (amused)

And your dad knows a lot of women like Wallis does he?

 

Elizabeth stops in the middle of the path, pulling away from Thomas. Thomas turns to look at her. She is visibly annoyed. Thomas is still amused.

 

ELIZABETH:

Don’t you dare make fun of us. Just ‘cause my dad didn’t have your fancy education, don’t mean he’s stupid.

THOMAS:

Well, you are quite the spitfire my dear.

(pause)

David did mention something about the possibility of another jaunt. Quite looking forward to it by all accounts, he tends to have such fun on these things. Lots of pretty girls to look at, plenty of time away from the pressure to marry the right woman.

 

Thomas and Elizabeth have come to the entrance to the park. It is almost dark and the streetlights are coming on. Thomas turns to Elizabeth. Around them people go about their daily lives. The church bell chimes the hour.

 

ELIZABETH:

Why do you think it hasn’t been mentioned in the papers?

THOMAS

I doubt they announce anything until the details are finalised. No good saying the Prince will be in Sydney when he is not going to Australia at all.

 

Elizabeth slaps Thomas on the arm gently.

 

ELIZABETH:

Not the Royal tour silly, the Prince and Wallis. Do you think they’re having an affair?

THOMAS: (sounds worried)

Not yet no. Mother put them in separate wings of the house. If there had been anything, the servants would have been gossiping by now. I would imagine it will happen soon though. David is never without for long.

ELIZABETH:

I hope Wallis has a thick skin, and a forgiving husband.  He’ll soon get bored as the novelty of her wears off, then he’ll move on to the next.

 

Thomas is thoughtful for a moment before shaking his head sadly.

 

THOMAS:

Not this time I fear. He’s in love with her you know? That is new for him. He was talking of settling down, of marriage.

(pause)

Can I see you again Bess?

ELIZABETH:

I don’t know Thomas. Where could this go? I like you, but I don’t think this can work.

THOMAS:

Give it a try; what do you have to lose? I’m good looking, have reasonably good manners. I …

ELIZABETH:

You’re a twit. (smiling)

Why is it so important to go out with me? Are you using me to prove something to Sir James?

(beat)(spiritedly)

I won’t be used and I won’t be made fun of, so if this is all part of an elaborate game then find someone else.

THOMAS:

I have no nefarious reason. I like you; you’re beautiful, funny, sassy, and very confident. I admit that irritating father is always fun, but I never use other people to do it.

(beat)

Let me walk you home and you can think about it.

 

Thomas and Elizabeth join arms again and walk through the town. As they go people turn and stare, some smile and walk on, others shake their heads and turn to talk. Small town life goes on.

 

FADE OUT.

(© L J Horne 2014)

 

I am going to post a new scene each morning now until the script is complete.  It will only take a few days.  I ask please that you leave me a comment below so that I can get some idea of how you feel about this piece. 

Thank you to Kath Thomson for the feedback I got yesterday via my Facebook page.  It was wonderful to read that you wanted to read more, but that you were willing to wait until it was shown on the BBC.  A real boost to my confidence. 

Now wouldn’t that be something – a 50 year old woman raised in the centre of England writing a drama for the BBC? 

Wednesday 16 July 2014

Another course passed.

 

My results from my fifth module towards my BA Honours Open Degree arrived last Thursday.  Have to say I was over the moon.  I got a Grade two pass, which means that on my last module starting in October, ‘The Art of English’.  I need to get a Grade three or more to get my 2:1.

The exam piece for my last module was a film script.  It is a period piece, set between 1933 and 1936 and follows the developing relationship between two young people from very different backgrounds. 

This is the beginning of a thirty two minute piece.

FOR THE LOVE OF A WOMAN

A FILM SCRIPT

By

Lorraine Horne

Characters.

Prince Edward Albert Christian George Andrew Patrick David, - Prince of Wales

39. Known as David. Well educated, playboy.  Gambler and ladies’ man.

Wallis Simpson.

37. Married American Socialite having an affair with the prince. Baltimore/East Coast American accent.

Elizabeth (Bess) Hearn.

20. Bess is a factory worker. Lower class. Basic education, local accent to North Warwickshire

Thomas Stratford-Ellis.

25. Third eldest son. Gambler and ladies’ man.Well educated, well spoken.

Sir James Stratford-Ellis.

52. Family has owned Rosedale Hall and the surrounding lands for over 600 years.

Lady Marjorie Stratford-Ellis.

50. Old money well educated,

John Holte.

Late 50’s. Factory owner, self-made man. Friend of Sir James. Arrogant, overbearing. Owns Feltstone Hall. Midland’s accent, slight Birmingham hints

Frederick Morris.

Hat factory owner, old money.

Ernest Wrigley

The butler, who also acts as the dealer and banker in the card games

Amberline Hearn.

50’s. Settled Gypsy turned miner. Elizabeth’s father.

Sir John Raith

BBC Director General. Announcer of the abdication speech

Other characters

Evaline Holte. Mid 50’s. New money, married to John.

Samuel Norman. Dinner guest. Local landowner.

Florence Norman. Wife of Samuel.

Mary Morris. Wife of Frederick.

SETTING

The film begins in November 1933. There are rumours going round the fashionable upper class parties that Prince David, the Prince of Wales has begun another affair with a married woman. This time it is believed to be an American socialite already on her second husband.

David is a regular houseguest of Sir James Stratford-Ellis and his wife at Rosedale Hall. During his visits, the Prince gets together with friend Thomas Stratford-Ellis, son of Sir James, who is several years younger, but has a very similar personality.

Dinner parties are always a feature of the Prince’s stay, combined with at least two card games held in either Feltstone Hall a large Georgian ‘Manor’ house on the northern edge of Feltstone, behind the imposing St Mary’s Church, owned by Sir James friend John Holte, or at Rosedale Hall. Designed by the architect Edward Blore in 1837 as an extension and refurbishment of Rosedale Manor house which sits within its now castle like complex. Rosedale Hall is to the south east of Feltstone town overlooking the beautiful wooded grounds that run down to the town.

FADE IN.

November 1933

INT. ROSEDALE HALL. CENTRAL HALLWAY. EARLY EVENING.

The central hall has a grand staircase going up to the gallery landing above. Several doors lead off in different directions into the rest of the house. At the back of the hallway it is darker, being in shadow under the gallery above. Here there are two doors. One opens onto a long corridor that leads to the servant’s area, kitchens and back of the house. The other is to a lavatory.

Coming through the door from the corridor is ELIZABETH HEARN.

Elizabeth is carrying a large tray, she is about to collect the last of the dirty glasses from the dining room.

THOMAS STRATFORD-ELLIS is approaching from the other side of the hallway.

THOMAS:

Hello again. Still here I see.

ELIZABETH:

Well it certainly looks that way doesn’t it?

(beat)

Excuse me Sir, I need to get on.

THOMAS:

Do you work here now?

(beat)

Shouldn’t you be wearing one of those little black dresses with a white pinny thing? 

 

Thomas smiles and winks. Elizabeth doesn’t smile back.

 

ELIZABETH:

And shouldn’t you be with the other guests in the games room?

THOMAS:

In a minute, yes. You never answered my question.

ELIZABETH:

No I didn’t did I?

 

Elizabeth walks around Thomas and grabs the handle of the dining room door. As she turns the handle, Thomas takes her free hand.

 

THOMAS:

So, do you work here?

(beat)

I could always just ask Mother I suppose.

ELIZABETH:

Ask away. While you’re doing it I can get on. I still have to walk home this evening.

THOMAS:

It would be quicker if you told me. Do you have a boyfriend or husband waiting for you?

ELIZABETH:

Now that’s none of your business.

(beat)

My name is Bess. No, I don’t work here; I’m doing a favour for Cook.

 

Elizabeth smiles cheekily at Thomas then pushes open the door and goes into the dining room. Just as she closes the door, Thomas says.

 

THOMAS:

Oh, I know your name.

 

Thomas steps up to the lavatory door with a smile on his face.

 

FADE OUT.

FADE IN.

INT. ROSEDALE HALL. GAMES ROOM. LATE EVENING

Typical 1930’s stately home games room.  Around the large roaring coal fire are several armchairs occupied by the ladies.  Behind the ladies stands a full size snooker table.  As the ladies quietly gossip, at the opposite end of the room sit six well-dressed gentlemen round the card table, WRIGLEY is standing at the head of the table, cards in hand ready to deal.

 

SIR JAMES:

Let’s make this our last hand tonight then gentlemen.

DAVID:

What’s up old boy, losing too much this evening?

SIR JAMES:

Well the two of you do seem to have taken an awful lot off the rest of us this evening Sir.

 

DAVID turns to address THOMAS who is sitting on his left hand side.

 

DAVID:

Won fair and square, wouldn’t you say Thomas?

THOMAS:

Definitely so David. Risks were taken and rewards won.

(beat)

Now, time for me to take some more, I think.

 

Wrigley deals out the cards face down to each player. Before they lift them and look at their cards, they each add ten shillings to the centre of the table, buying into the game.

Over by the fire, a maid collects dirty cups and glasses and places them onto a tray before carrying them out of the room. Another maid waits to serve the ladies fresh drinks. Wrigley nods to her to indicate that she bring fresh drinks for the gentlemen at the table.

 

LADY MARJORIE:

Another drink Wallis?

WALLIS SIMPSON:

G and T I think this time please, but I’ll make it my last tonight, then it will be tea for me.           No point getting tipsy and embarrassing myself is there?

(beat)

Wouldn’t want you all talking about me at the next gathering would I?

 

Turning to the maid SARAH, Lady Marjorie orders drinks.

 

LADY MARJORIE:

Sarah, can we have two more Gin and Tonics and then fetch a tea tray for four?

 

Back over at the card table the game continues.

 

WRIGLEY:

The cards are with you Mr Holte. Sir.

JOHN HOLTE:

Two please.

 

He throws two cards onto the table towards Wrigley, who deals him two more. The game continues around the table.

 

JOHN:

You are right, marriage is all about alliances. If my Stanley took it into his head to marry one of the factory girls, then he’d have to earn his own living. I have no intention of paying for his folly. The girl would be a money grabber for certain. If he chooses to shirk his family duty then he can go it alone.

SAMUEL NORMAN:

Three.

 

Elizabeth and Sarah quietly enter the room carrying trays and Elizabeth begins to collect up the dirty glasses and cups. Thomas watches Elizabeth, who now wears a pinny, for a short time, and then turns his attention back to the conversation.

 

FREDERICK MORRIS:

None for me Wrigley.

(beat)

I’ve seen what it can do when one falls in love with someone outside our circle. Nothing good came from it.

 

Discarding three cards Thomas looks directly at his father.

 

THOMAS:

Well, I intend to marry for love.

(beat)

What is the point in spending one’s life in a marriage with someone without love? I will not be tied to someone just because it’s expected of me.

DAVID:

I have to agree Thomas.

 

David looks quickly across towards Wallis, then back to his cards. Throwing down one card, he picks up the card dealt to him and looks at his hand, putting it face down in front of him. The pot in the centre of the table has grown considerably. It now contains around a hundred pounds made up from five and ten pound notes.

 

DAVID:

I’ll marry the woman I choose, not one the King and the government feels would make the best alliance. I want the kind of marriage that Albert has with Elizabeth.

 

Sir James changes one card.

 

DAVID: (cont’d):

Thomas, seems I’ve overstretched myself old man, would you stand me ten pounds and I’ll repay it from the winnings?

THOMAS:

Let’s say you’ve put it in there shall we, and Holte here shall be witness.

 

Everyone but Samuel bets again. Samuel throws his cards to Wrigley and excuses himself from the table.

 

SIR JAMES:

Elizabeth has breeding; she comes from the right family. Your brother is not going to be King, Sir, you are. Surely it’s important to you that you choose the right Queen?

DAVID:

When I choose, she will be the right Queen for me. Someone I can be happy with, someone who makes me a better person. This whole playboy thing is getting stale.

(beat)

Now to finish this game so I can pay my debt.

 

Thomas takes a handkerchief from his pocket and wipes his brow. As the cards are turned over Thomas reveals three queens and a pair of tens.

 

THOMAS:

Full house, old chap, I win.

DAVID:

Well it seems I’m in your debt Thomas.

 

Both men get up from the table, David slaps Thomas on the back. While Wrigley starts to gather the cards together, Sir James picks up the money and brings it to Thomas. The three men walk over to join the others in front of the fire for a final drink before retiring for the evening.

FADE OUT.

**********************

The play is about Thomas and ELizabeth, and their friendship with Edward and Wallis.  It ends three years later on the day of the abdication.

I hope you have enjoyed reading these first two scenes.

 

What I have been doing this week.

I have been playing with a digi stamp by Mo Manning.  You can see more of her work at http://www.digitalpenciltoo.blogspot.com/  or her web shop at http://www.http://mosdigitalpencil.com/

This is called The Reader.

The Reader