Thursday, 8 October 2015

WOW! Well I didn’t expect that.

 

My entry into last months Stamps by Aurora Wings Facebook challenge was chosen as one of the top three.

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It’s always such a nice feeling when someone else likes the pieces you produce. 

 

This months challenge can be found here: https://www.facebook.com/media/set/?set=oa.498441526992208&type=1

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I thought about this one for a while, then looked through all my Aurora Wings digi stamps.  With October being Breast Cancer Awareness month, and the challenge being pink to celebrate this I wanted something delicate and ethereal.  I had the perfect TWO images.

To combine the two I needed to convert them from JPG images to PNG images, and with Mitzi’s permission I produced this image.  I used Photoshop to convert them and Serif Craft Artist 2 to combine them.

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The individual images can be purchased in jpg format from Aurora Wings Etsy store.

This is how far I have gotten.  I now just have to turn this into a mixed media piece now. 

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Each dancer is coloured in different types of pencils.  The Flower Ballerina on the left was coloured using Prismacolor pencils.  The Star Dancer on the right was coloured using Marco Raffine artists oil pencils.  I created the background with LuminArte iridescent watercolours.

Flower Ballerina colours used were Light Peach – PC927, Blush Pink – PC928, Pink Rose – PC1018 for the skin with the darkest tone Salmon Pink – PC1001.  Pink – PC929, Process Red – PC994, Hot Pink – PC993, Mulberry – PC995 and Marine Green – PC988 for the dress and pointe shoes.  Finally I used Pumpkin Orange – PC1032 and Orange – PC916 for the hair.

Star Dancer colours used were flesh tones – 518, 519, and 520.  Pinks in the dress were 512, 513, and 516.  The stars were done with dark plum 525 and the hair was browns 553, 559 and 563.

The background LuminArte colours used were Natural Linen, Chiffon Pink, Cherry Sorbet and Mustard Green, with hints of Iridescent Red in the Star Dancers hair.

Thursday, 17 September 2015

The last couple of months.

 

Well I’ve had a strange few weeks.  On 8th August I had a little accident and am now recuperating.  It has meant that I’ve had a lot of time to craft, but little energy or inclination to do it.  I have been in a lot of pain and this is the main reason for the lack of inclination.

That doesn’t mean I haven't done any however. 

A few days before the accident my grandchildren were asked to chose one colour each for me to use in this wonderful digital image

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Love in Spring by Ching-Chou Kuik  Available here:

https://www.etsy.com/uk/listing/230698242/love-in-spring-digital-stamp-instant?ref=shop_home_active_16&ga_search_query=love

My grand daughter Ruby chose pink, and my grandson Ty chose gold.  So we worked together choosing where each colour would go before I started the piece, then when they went off to play and swim and enjoy the summer days, I coloured the image up using my Prismacolor pencils.

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Following on from this image I chose an Andreia Silva image.  Andreia is the artist at MoonFlower Digistamps.  Once a month around the 15th Andreia sends out her newsletter and in each newsletter she gives a free image.

This one was from the August newsletter, and is called Gypsy Flower,

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and can be found now on her sales page at:

https://my.digitalgoodsstore.com/product/1ceft

For this image I chose to use my Artist quality Marco Raffine pencils which are oil based pencils.  They were not the most expensive crayons out there, and are made in China, but the colours are rich and deep and the ‘leads’ give a nice smooth texture and are nice and easy to blend.  The only negative I can say about them is that there are only 72 pencils in the range two of which are gold and silver metallics.

I started this one at around 12 one night and got as far as the hair before deciding to leave her for the morning.

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The hair turned out better than I could ever have dreamed, next stage was to do the skin, because this is the element I usually do first, just in case it goes wrong and ruins the image. 

So with a deep breath I set to work, and got the skin just so.  Then I chose a pale yellow for the dress.  With the pale yellow I added a shade deeper for shadows and took a rubber to the highlights and eventually finished this little lady off.  I think for a first attempt she looks fine.

2015-08-18 03.48.50

 

Facebook Groups.

I am a member of several Facebook colouring groups.  Each one has it’s own merits.  If I find an artist whose images I like I will join their Facebook group or the group set up by their fans.  For two of the groups I am in I have done a couple of challenges in the last month. 

Stamps by Aurora Wings.

This is one of the first groups I joined.  The artist whose work is showcased in this group is Mitzi Sato-Wiuff.  Again you can find Mitzi’s shop on the Etsy platform.

https://www.etsy.com/uk/listing/164726619/digital-stamp-instant-download-red?ref=shop_home_active_11&ga_search_query=red%2Bpoppies

The first image I did this month was not for the Facebook group challenge though, it was one I was sent after donating to one of the charities being supported – Colouring for Clean Water for which Mitzi did this image. 

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This is my finished piece.  I used the Marco Raffine pencils again for this image, then chose to put an iridescent wash of pearlescent paint over the top of the mermaid’s skin and the shells.

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Now I had a very strange experience with this image.  During the night, after getting to this stage  2015-09-09 11.40.02-2 with the only light in the room the laptop screen behind the picture I woke up with a start.  Now I’m very short sighted, so all I saw glowing on the desk was a skeleton with holes where the eyes should be.  Her shoulders arms and face are done in such a way that the ‘bones’ were done in a pink tinged pearlescent paint.  You can just see the colour on the shoulder and face, – unfortunately the eye shadow does not glow, and neither does the lips hair or shell.  Creepy is not the word.

 

My Autumn challenge piece for the group is from the Red Poppies image, my all time favourite Mitzi piece – and I have a lot of her images Smile

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This image was done using my Spectrum Noir markers to lay down a base of solid colour then I went over the top with the Spectrum Noir pencils to build up the image.  Using the two mediums together gives a depth to the image that you cant get with just one or the other.

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I chose the Poppies image this time though as for me Autumn means the coming of the colder nights, and seeing everyone wearing the poopy in their lapels or tucked into top pockets of their shirts.  The red poppy is the iconic symbol in the UK of our Remembrance day, the day we stop and spend time thinking about all those brave men and women who have given their lives fighting in wars to safeguard our freedom and way of life.  This is always celebrated on the Sunday closest to 11th of November.  We also have a minutes silence on the actual day 11th November at 11am. 

MoonFlower Digital Stamps.

MoonFlower’s August challenge was On the Blue - 

This was done using Spectrum Noir pencils on their own.  I was trying to get more Afro Caribbean skin tones but the colours didn’t give enough depth of tone once the rest of the image was coloured up.  I began this image with the skin and thought I had it just right, but once the hair and clothes were completed the skin just didn’t work. 

 

 2015-09-05 14.51.27    2015-09-05 16.09.02

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which was followed this month with Autumn Colours.

I chose to use the Spectrum Noir markers to lay down a base of colour again for this image, but instead of sticking with the Spectrum Noir brand I went instead for the Marco Raffine pencils to finish the image. 

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    2015-09-13 19.04.24

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The image I used for the Autumn Colours challenge is called Tumbelina Faery. 

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Well that's all for now.  My crayons are calling to me, and so are the cats.  Must give them their hourly cuddles and start on my next colouring piece. 

Sunday, 5 July 2015

My ‘Alice’s Adventures In Wonderland’ journey.

 

Some close up pictures from the poster I did for this blog hop, and a couple of embellishments.

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For someone who has never read the book or seen the film this project was a bit of a challenge.  I had never been even tempted to find out anything about this Children’s Classic, so being invited to take part in the blog hop celebrating the 150th anniversary of its publication made me go out and investigate.  True I could have just done a quick internet search and found out about the basic story then done my own twist, but that’s not really me.  I am not a purist, but I did want to do something with the characters from the book before branching out into my own thing. 

Just imaging not knowing that it was the rabbit who had the lines ‘I’m late, I’m late, for a very important date.  No time to say Hello – Goodbye.  I’m late I’m late I’m late.’

Well that was me, 51 years old and I had no idea where that had come from.  Not sure even now if it is part of the book or the film.  Who made the film?  I don’t know. 

What I did discover on my journey was that the blue dress Alice is wearing in nearly every picture I have ever seen is not the colour of the dress she is wearing in the earliest coloured images I found.   She did however have a blue belt round her waist an a blue ribbon in her long brown hair. The dress?  Well it was an orange or brown colour.  Also the Cheshire cat?  Not pink and purple, but brown striped.  I do like him better pink Smile

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Saturday, 4 July 2015


Today we are celebrating the 150th Anniversary of the publication of Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) which was written by Charles Lutwidge Dodgson under the pseudonym Lewis Carroll 
Why July 4th? Well it is thought that the original idea for the book was a story that Dodgson told to the daughters of his friend Henry Liddell on July 4th 1862 during a boat trip along the river Isis.  
So what better way to celebrate the anniversary than to share lots of creative projects inspired by this wonderful story.

Not only will you see lots of amazing artwork today, but you can also win prizes from the following amazing companies;







Prize winners will be selected from Random blogs throughout the hop using Random.org to select each winner.  In order to be eligible for a prize you must visit all stops on the hop and leave a comment. The prize draws will be open until July 18th, with winners announced on July 20th.

Never having read the book or seen the films I had to do a little investigation before I began.
Here's my Alice in Wonderland inspired projects;
This is my version of a film poster.  The main image is from Teri Sherman over at Delicious Doodles, and the small Cheshire cat in top hat is from The Stamping Boutique.  



The playing card below is my take on an original piece of work done by the artist Ashley Benson for an online tutorial - creating a Queen of Hearts Playing Card posted on Jan 17th 2013.  It is a work along tutorial and this is the piece I created (on July 3rd 2015) from Ashley's initial sketch.
a couple of other playing cards I coloured up, along with a tag and topper piece.


I hope you like them, and thank every artist for their creations which helped me to take part in this blog hop.
Lorraine. 

Blog Hop List

Tuesday, 21 October 2014

The full short story I wrote about my time in drag racing.

 

GREEN WITH ENVY. My life in drag racing.

I went to my first drag racing meeting in 1986. Heavily pregnant with our first child, I wasn’t really that keen on going. It was a cool day and slightly overcast. Martin had been threatening to take me to a meeting from the minute we’d started dating three years earlier. I’d managed to get out of going up until then. I wasn’t really a motorsport fan; my idea of a good Sunday was a game of tennis or a walk in the mountains.

Already a day overdue, I was the size of a barrage balloon. Searing pains shooting through my legs made me wish for the oblivion of sleep. If I was to go, I wanted a comfortable seat and plenty of warm drinks.

The skies were a soft dove grey, peppered with marshmallow like clouds. Occasionally opening out, they revealed rays of longed for sunshine.

By early afternoon I’d seen as much racing as I could stand. While Martin photographed every pair of cars that lined up to race, I curled up on the grass bank. One waterproof army poncho over me another under me, I went to sleep. I didn’t notice when the jet car rumbled up the track, or the ground vibrating as the engines roared away, flames shooting out the back. I didn’t hear a nitrous fuelled engine blow up in the pits, spewing parts into the crowded concessions area. It wasn’t the only time I missed ‘the action’, just the first.

Over the next few years we would go racing once or twice a season. We would leave our daughter, and then our son too, with my parents. Eventually I took over the photography, leaving Martin to enjoy the spectacle.

By 1990 I’d become a regular alongside racers and crew, photographing cars, engines and team members. I would joke with them about the boredom of a racing life. I envied them their motorhomes, where they cooked lunches, and made cups of tea in the cold weather.

We travelled every day of the meetings, taking sandwiches and a flask, just enough to sustain. We took only one rucksack, any more would have been an inconvenience. Our cameras took up a lot of room, and were far more important than food. When you were making room for yourself by the track, vying with other photographers for the best spot, you didn’t worry about bags.

Two years later and we become more than just spectators. At the last meeting of the previous season I’d been introduced to Leigh and Pat. Leigh was a quiet man; his Frog Eyed Sprite had blown a gasket and he wasn’t in the best mood, but he welcomed Martin and me with smiles and hugs. At five foot eight and nine stone wet through, Leigh fitted the mental image I had of him perfectly. Martin had talked about growing up next door to him many times.

During the winter off-season Martin and Leigh found a new race car and modified it, making it ready for the opening race meeting. That was when we became the Green With Envy Drag Racing Team.

A beautiful topless E-Type Jaguar, she was British racing green with a Jaguar 3.8 litre straight six engine, and a full roll cage in black. Low to the ground and sleek, she ran on unleaded petrol and nitrous oxide. This volatile combination meant she could run the quarter mile in just over nine seconds. Running those times would have meant adding a parachute to the back to slow her at the finish. Not wanting to spoil her looks, we joined a slower race class, running as close to 10.90 seconds as possible. Any quicker meant breaking out and losing the race.

Purring like the cat she was named after, a low, steady, throaty growl, she would spring from the start line. With a burst of speed she covered the ground running down her prey before flying over the finish line victorious.

Drag racers can’t run in the rain, slick tyres are used on them. This means that the rubber is smooth, the rear tyres are huge, fourteen inches across, and need heat to get grip. The heat is achieved by a burnout, the most wonderful sight. While the car is stationary, the rear tyres are spun up in a patch of water. As the heat from the spinning tyres evaporates the water, smoke begins to billow out, white clouds form to obscure the car.

The smell of burning rubber stays in the air, catching your nostrils. Standing close and breathing it in, you get a head rush, breath in too much and you go dizzy. Stay around the start line too long and addiction follows, craving the smell of burnt rubber, spiced with the tang of fuel. It’s an aroma that stays in your head long after it’s washed out of your clothes. Some days you will stop in your tracks like a wolf catching the smell of food. A familiar, longed for hint on the breeze transports you back to the trackside.

As the cloud of smoke fills the air, suddenly the driver will take his foot off the brake and the car jumps forward. Getting grip on the now dry tarmac, the tyres are hot and sticky, at the point of melting.

The team soon became firm friends, travelling all around Europe to one meeting after another, having a laugh, winning more often than we lost and by the end of the year we were class champions. For the next five years we won consistently. Leigh was dubbed the cat for his lightning reactions. When he was behind the wheel of that car he was a machine, but if something went wrong, if he red lit[1] or made a mistake, he was a nightmare.

In 2004 we went to Mantorp Park in Sweden for the Veidec Festival. In the last week of July we set off for Harwich to catch the ferry to Holland. By now my kids had left school. Beki, my daughter had just begun her gap year before university, and David had been accepted into catering college.

‘Don’t forget to enjoy yourself, and if you want to get me something from duty free, I could do with some ‘bacca’.’ David was already laughing as he turned and shut the door.

The journey to Sweden took over three days, beginning with a five hour journey in the back of the transit to the docks. The transit had been transformed earlier in the day electrical wire junction boxes and tool boxes were replaced with custom built seats filled with bedding and food, a mini fridge, rucksacks filled with clothes, and a tent bag containing the awning for the car to go under at night.

Behind the van we towed our custom built white panelled trailer that housed the Jaguar, strapped down for the journey, she was a snug fit. The car was so low to the ground, making room above her in the trailer for our hob and sink, another small fridge and more storage cupboards. Not an inch of usable space was overlooked as we packed, the toilet we tucked into the front of the trailer alongside the shower and its pipe work, which would be set up on the outside of the trailer at the meeting, in the shower tent.

Sweden was wonderful. It never went dark; dusk and dawn met each other keeping the night at bay. When we arrived, having travelled in convoy with another race team, we set up our pits. Later we walked the circuit, getting to know where the toilets were, the club and food halls, and of course the offices to register our arrival and book in for scrutineering[2].

When everything was settled and Pat and I had the afternoon meal cooking, Leigh and Martin took the car out for a test run.

‘What’s up Leigh?’ Pat and I asked when they returned. The thunderous look on Leigh’s face telegraphed his fury.

‘The engines running sluggish, needs the new jets putting in.’ Leigh didn’t raise his voice, but the chill his words gave off told us something was very wrong.

‘So put in the new ones you got last week, you knew this was a possibility.’ Pat said.

We had asked other racers what jets they used in their cars at this track, and made sure we had a good supply.

‘We haven’t got any Pat.’ Martin said quietly, motioning to us to come out of the trailer. When we got outside, Martin explained.

‘There’s only half of the new set we got in the week there. The ones we need have gone.’

‘Oh let me guess’ Pat didn’t raised her voice, her blue eyes change from warm to ice cold, her smile disappeared. ‘Kev’.

‘Looks like it, he was up the unit on Wednesday’ Martin explained. ‘Scott’s racing tomorrow at Shakey[3].’

Kev was Leigh’s brother. His stepson was racing that weekend, and it looked as if they had once again taken parts from the Jaguar stock to put on their machine.

‘Leigh’s gonna ring Kev now.’ We knew what was coming, even standing outside we could hear Leigh’s side of the conversation.

‘Kev, you just had to do it didn’t you?’ There was a brief pause before Leigh went on. ‘The jets I bought last week … yes them… What do you mean you needed some? So did I. That’s why I put my fuckin’ hand in my pocket and bought the bastards. You just waltz in and nick 'em you thieving git; I’m fuckin’ sick of it. You’re a useless piece of shit.’

I guess then he rang off because seconds later there was a loud crash as his mobile was smashed against the wall.

Dave, one of the other racers, our travelling companion and a bit of show off most of the time, was there within minutes with a box full of jets of different sizes. That’s the nice thing about most of the racers; they are good lads at heart, willing to share if they can. A big man in build and character, over six foot with a pot belly, Dave always wore garish buttercup yellow knee length shorts and dark purple shirts. Combined with his bleached blonde crew cut hair and well defined calf muscles that could be seen to expand and contract as he walked, he was a memorable figure around the track.

Dave drove a ‘Model A’ panel van the same deep purple as his shirts, with the team name on the side, ‘The Dark Revenger’. This meeting he needed another crew member, so Pat and I took it in turns to help at the start line, which was hysterical. Dave had OCD; no one could put their hands on his van without a cloth under the hands or gloves on. He parked his car on a carpet laid out inside his awning, and vacuumed around it every couple of hours. The car had been lovingly polished three or four times between every race. God help anyone who dared step over the rope into his space uninvited.

He was a good laugh, but not someone either Pat or I would trust around our daughters. He was a dirty bugger, and didn’t care who knew.

The meeting went well until the fourth day when suddenly out of nowhere snow fell. The day started out cold and windy, and by ten in the morning it was raining hard. Finding that the trailer had several leaks, we contained them with saucepans and pint glasses, all the time complaining about shoddy workmanship.

Thunder echoed repeatedly around Mantorp as we played cards in the warm trailer. The tap tapping of the rain slowly building in tempo as the afternoon wore on. Phil Collins crooned away in the background as the smell of curry and rice permeated the air. The dry piney tang of my second glass of Retsina slipped down smoothly as I won another hand of cards.

When Dave joined us around three I was on a roll, and we were falling about laughing.

Suddenly Leigh or perhaps it was Dave suggested strip poker. Martin warned them against that idea.

‘Josie’s a card shark guys, she’ll have you in your birthday suits inside the hour.’

‘Spoil sport’ I pouted. It wasn’t a total lie; I’d paid my college tuition and bought my art supplies by playing cards. ‘I had a chance there of finding out why Pat is always smiling’

‘You wouldn’t have got your answer there.’ Pat joked, ‘good things don’t always come in small packages you know.’ Pat grinned at Leigh, who winked at her.

‘Sort the drinks out and behave.’ Martin snapped at me. He could be very playful at times, but often went out of his way to embarrass me. If I managed to bounce his playfulness back though, he would sulk.

When we opened the door at six that evening the rain had stopped to be replaced by snow. It wasn’t thick yet, just a light feathery carpet of blue-tinged cotton wool. The sky was the most magical vision, like in a childhood dream of Santa’s’ wonderland. Wispy white clouds released their wondrous gift into an azure sky.

In just under a week we had gone from temperatures in the twenties with no wind and plagues of mosquitos, to torrential rain. High winds buffeted the van and trailer, rocking us to sleep and then waking us with a jolt, as the gusts smashed against the exposed sides. Then snow.

‘If it doesn’t stop by morning and warm weather reappear, we’ll be packing up and leaving.’ Leigh said that evening.

The next morning at eight the meeting was called off. By virtue of having gained the most qualifying points we won the class. We took home the trophy and enough money to cover the ferry cost. With low spirits we packed up and started our journey back through Europe at a leisurely pace.

By the time we got to the German border with Holland the weather was back up in to the twenties, the sun was out and we were once again in our shorts and t-shirts, sweltering away inside the transit van.

We were team mates until 2010 when Martin passed away. I still go drag racing, and now my son and grandson go too. Leigh, well he still races Green With Envy, and he is still winning.

Santa Pod is where I feel closest to Martin, down at the finish line sitting in the grass. His ashes were scattered out of the back of the E-Type at 120 miles an hour, as Leigh made a memorial pass down the track. Ruining his qualifying run by breaking out of his class bracket, Leigh covered the quarter of a mile in 10.20 seconds, 0.7 seconds too quick.

Martin became one with the tarmac and rubber, the track glue and wind. Martin loved drag racing. What better way to say goodbye was there?


[1] The start line has a ‘Christmas tree of lights’. At the top are a series of amber lights, the reaction timer starts when the third amber comes on. Since there is a half-second (or .500 seconds) delay until the green light comes on, a .500 reaction time is perfect. Leaving the line before the green light will result in the dreaded red light... a foul start, and losing the race.

[2] This refers to the checks performed on each car and bike before the start of a race meeting to ensure that they conform to the rules and safety regulations. Any machine that violates the rules and regulations will automatically be disqualified from the race.

[3] Shakey, the name racers have given to Shakespeare County Raceway, a drag racing strip at Long Marston just outside Stratford upon Avon.

Tuesday, 5 August 2014

Final episode.

 

So today we draw this drama to a close.  I hope that you have liked reading it.  I will continue to post pieces of work I have done, but nothing can compare to this.

 

FOR THE LOVE OF A WOMAN, by Lorraine Horne.

 

It is now December 11th 1936. Thomas and Elizabeth are married. It is the day of their daughters Christening. Both families have just arrived back at the farmhouse from the church. The ladies all make a fuss of the sleeping baby.

 

LADY MARJORIE:

Elizabeth, Mary was such an angel right up until the water touched her head. My what a pair of lungs she has. She certainly let us all know she doesn’t like water on her hair.

ELIZABETH:

I was afraid of just that. Mary really doesn’t like her head wet at all. Dad says she’ll be afraid of water.

 

In the sitting room Thomas puts on the radio. The men find somewhere to sit as they wait for the announcement everyone knows is coming.

 

THOMAS:

Do you think we’ve missed it Father?

SIR JAMES:

No. I think we’d have heard in the town had the announcement been made.

(pause)

I can’t believe he’s actually done it. To choose Wallis over his duty?

THOMAS:

He said he would marry the woman he loved. Obviously this is the only way that can happen.

(beat)

I just hope he can be happy in the knowledge of what it’s cost.

ELIZABETH:

I’m going to put Mary down in her crib. Has someone put the kettle on to boil?

THOMAS:

I think your mother was going to do it.

 

As the men sit around listening to the radio, waiting for news, the ladies fuss with drinks and the children. Elizabeth leaves the room with the baby just as SIR JOHN RAITH’s voice comes over the radio. Amberline turns up the volume and shushes the children.

 

SIR JOHN RAITH:

This is Windsor Castle. His Royal Highness Prince Edward.

DAVID:

At long last (beat) I am able to say a few words (beat) of my own.

(pause)

I have never wanted (beat) to withhold anything, (beat) but until now (beat) it has not been constitutionally possible (beat) for me to speak.

(pause)

 

Elizabeth comes back into the room, and walking over to Thomas’s chair sits on the arm and puts her hand on his shoulder. Thomas puts his hand on top of hers.

 

DAVID: (cont’d)

A few hours ago (beat) I discharged my last duty (beat) as King and Emperor,

(pause)

and now (beat) that I have been succeeded by my brother, (beat) the Duke of York, (beat) my first words (beat) must be to declare my allegiance to him.

(pause)

This I do (beat) with all my heart.

(pause)

You all know the reasons (beat) which have impelled me (beat) to renounce the throne.

(pause)

But I want you to understand (beat) that in making up my mind (beat) I did not forget (beat) the country or the empire, (beat) which, (beat) as Prince of Wales (beat) and lately as King,

(pause)

I have for twenty-five years (beat) tried to serve.

(pause)

But you must (beat) believe me (beat) when I tell you (beat) that I have found it impossible (beat) to carry the heavy burden of responsibility (beat) and to discharge my duties as King (beat) as I would wish to do (beat) without the help and support (beat) of the woman I love.

 

Thomas squeezes Elizabeth’s hand. Elizabeth has a tear falling down her cheek. She sniffs quietly. As the family continues to listen to the radio, Elizabeth and Thomas slip out of the room.

 

ELIZABETH:

Oh Thomas. I feel so sorry for them. Wallis so wanted to be Queen. Do you think they will ever marry now?

THOMAS:

I bloody hope she marries him now he’s given up everything for her.

ELIZABETH:

I hope so too.

 

Elizabeth wraps her arms round her husband as their daughter starts to cry. They smile at each other and walk arm in arm back into the farmhouse.

 

FADE OUT.

 

© L J Horne. 2014.

Sunday, 3 August 2014

FOR THE LOVE OF A WOMAN.

 

There are just two more episodes of this drama left.  Here is the first of those two.

 

FADE IN

April 1935

INT. ROSEDALE HALL. SIR JAMES STUDY. EARLY AFTERNOON.

The study is a typical gentleman’s study. Filled with dark furniture including a large desk, behind which Sir James is sitting. Thomas is pacing the room.

 

SIR JAMES:

Elizabeth is a nice young woman, she has conducted herself very well but she is still not of the right breeding to be your wife.

THOMAS:

And if I choose to marry her anyway?

SIR JAMES:

If you insist on being so foolish then you’ll support yourself.

THOMAS:

You think that threatening to cut me off will change how I feel about her? I love her. I won’t spend my life without her.

SIR JAMES:

Thomas, see sense boy. Nothing good can come of you marrying below your station. Elizabeth knows nothing of our world. It will overwhelm her. I admire her spirit and her courage, but this can never be her world. You should finish this now and give her the chance to find someone else.

THOMAS:

I thought you liked her? Mother said you found her wonderful company?

SIR JAMES:

I do. She’s intelligent, polite. She understands the business world far better than you or your brothers. John Holte wishes he had more workers like her.

(beat)

And there’s the problem. She’s working class. Her roots are in the gutters of the town, not the lawns of the estate.

(pause)

No this could never work. She’ll be unhappy in your world, and you’ll be unhappy in hers. You’ll end up hating each other.

THOMAS:

How can you be so sure?

SIR JAMES:

I’ve seen it before. Your own Godparents came from different backgrounds. In the end their love died.

THOMAS:

That was a long time ago. Things were different then. Attitudes have changed since the war.

SIR JAMES:

That may be so, but it will still take many more years before we see any real benefit. Keep Elizabeth as your mistress if you must, but marriage is out of the question.

THOMAS:

My mistress. Never. Elizabeth is not the sort of girl one takes as a mistress. She’s not like most of the girls in town. She has respect for herself, and for her family. I won’t do that to her.

(beat)

No Father, I’ll marry her with or without your blessing.

SIR JAMES:

You’re not the young man I thought you to be. I was sure you’d give Elizabeth up at the first mention of being made to work for your own money.

(beat)

You’re sure you won’t just take Elizabeth as a mistress and choose a more suitable wife?

THOMAS:

Very sure. I would prefer to beg for work in town than give her up.

SIR JAMES:

Very well then. You have my blessing. If her father gives his permission, and Elizabeth agrees to be your wife, then you may marry her.

THOMAS:

One more thing Father.

(beat)

We’ll need somewhere to live.

SIR JAMES:

The farmhouse at Little Endsford has just become vacant. If you agree to oversee the farm labourers, you may have that to begin with. It will need a lot of work done before it’s fit to live in.

 

Thomas reaches the door and grabs the handle to open it. As he does so, Sir James calls to him.

 

(cont’d)

Just one more thing. I won’t pay for this wedding. If her parents can’t afford to pay then you must. I suggest you put some of that money you throw about the card table so easily to better use. Your grandmother left you a very generous stipend. It’s now time to use it for something other than fun and games.

THOMAS:

Thank you Father. Will you and Mother attend the wedding?

SIR JAMES:

But of course. Our son is getting married. That is a day for celebration.

(beat)

No matter whom he chooses to marry.

 

Thomas leaves the room. Sir James shakes his head sadly.

FADE OUT

FADE IN

The same afternoon.

INT. ELIZABETH’S HOME. MID AFTERNOON

Elizabeth and her father AMBERLINE are in the parlour of a small back-to-back yard house.  Everything is old and worn out, but clean and tidy.

 

ELIZABETH: (angrily)

That isn’t the point Dad. You had no right to give her my new shoes to wear. I hadn’t even worn them yet. I saved for weeks to get them. Just for once I wanted something that was mine.

 

Amberline and Elizabeth are now shouting at each other.

 

AMBERLINE:

Don’t you raise your voice to me girly. Unity needed them, I don’t have the money to go buying shoes, and there was a pair sitting there. You should be grateful your sister could go for a job, instead you gripe about ownership.

(beat)

You’re changing, and it’s not for the good. Soon we won’t be good enough for you. You’ll be ashamed of us. (shaking his head sadly)

I said no good would come of you mixing with them Toffs.

ELIZABETH:

You’d have enough to buy her a pair of shoes if you stayed out of the pub occasionally. It’s not as if you don’t have a good whack out of my money each week.

 

Elizabeth storms out of the parlour to the scullery.  As she does so there is a knock at the open door.  Thomas is standing there.

 

ELIZABETH:

Thomas. I thought you said tomorrow evening? Is something wrong?

THOMAS:

Tomorrow, - yes. No, nothing’s wrong; I just need to talk to your father…Alone.

 

Amberline has walked into the scullery.  He looks from Thomas to Elizabeth quizzically.  Elizabeth looks at him and shrugs her shoulders.

 

AMBERLINE:

You’d best come through to the parlour lad. Bess your Mam’ll be home soon, best put the pot on to boil.

 

Thomas follows Amberline through the scullery to the parlour and closes the door behind himself.  Amberline stands with his elbows on the fireside shelf.  Thomas faces him.

 

THOMAS:

You must be wondering why I’ve come to see you Sir?

AMBERLINE:

Suppose it’s cause you’ve gotten Bess in trouble?

THOMAS:

No Sir. I’ve come to ask for your permission to marry Elizabeth.

AMBERLINE: (surprised)

And she aint pregnant?

THOMAS:

No Sir. Why would you think she was?

AMBERLINE:

Well, I know all about your reputation with the young girls.

THOMAS:

I’ve enjoyed my fair share of the girls in town, I agree, but Elizabeth is different. I love her.

AMBERLINE:

And you’ve told your father of this? What does he have to say? Not best pleased with a peasant’s daughter joining your ranks I’ll wager.

THOMAS:

He has his doubts about it, I admit, but he’s given his blessing.

AMBERLINE:

I see… She won’t be expected to skivvy for no one?

THOMAS:

I have a job overseeing my father’s farms in Little Endsford. We’ll have a home there. Elizabeth won’t need to work for anyone. If she chooses to occupy her time with something, then that’s something we can discuss.

(pause)

So Sir, do I have your permission to ask Elizabeth to marry me?

AMBERLINE:

It’s not my permission you need lad, it’s hers.

 

Amberline walks to the door and opens it, calling out as he does so.

 

AMBERLINE: (cont’d)

Bess, a word girly.

 

Elizabeth is heard putting something down on the table, and then walking towards the parlour.  Amberline waits for her to appear before leaving the room and closing the door.

 

ELIZABETH:

Thomas. What’s going on?

 

Thomas takes Elizabeth by the hand.

 

THOMAS:

Elizabeth, I’ve asked your father, and now I’m asking you. Will you do me the honour of becoming my wife?

ELIZABETH:

Don’t be daft. As if Sir James is going to let you marry the likes of me. (laughs) There you go being a twit again.

THOMAS:

On the contrary. He’s given his blessing. Your father says that it’s up to you.

ELIZABETH:

Just like that? Where will we live? There isn’t room here.

 

Elizabeth pulls her hand from Thomas’ and walks over to the chair by the window.  She sits down heavily into it.  A mouse runs along the edge of the wall under the window, disturbed by the sudden movement in the chair.

 

THOMAS:

We’ll have a farmhouse in Little Endsford. I’ll oversee the farm labourers. You can make a home for us.

ELIZABETH:

What about the people who live there now? What will they do?

THOMAS:

The farm is newly vacant. Father had to let the farm manager go. He had an interesting accounting system it seems.

(beat)

So. You still haven’t answered my question yet Bess?

ELIZABETH:

No. I haven’t, have I?

(pause)

I don’t know Thomas. Can this really work?

THOMAS:

I love you. And I believe you love me?

ELIZABETH:

Yes, but you know that already.

THOMAS:

It’s as David once said. ‘Love is the only reason to marry’. More importantly, it’s the best reason to marry.

ELIZABETH:

There are many who would disagree with you. Wallis once believed that security in the form of wealth and position were just as important, and lasted longer. I think she may have changed her mind recently.

THOMAS:

David will marry her as soon as he’s able. Her divorce is under discussion. Let’s hope that all goes well for them. David is used to getting everything he wants, and he wants Wallis.

ELIZABETH:

He’s been spoiled, just like you. No wonder you two are friends, you both have an eye for the ladies and you love gambling. That will have to change, you know?

(beat)

I won’t have you spending all your money on card games and loose women. If you marry me, you will have no other women.

(pause)

Is that possible Thomas? Can you be satisfied with just me?

THOMAS:

From the day you agreed to go out with me there’s been no one else, Elizabeth. You stole my heart. I need only you.

ELIZABETH:

Pretty words.

(beat)

And the gambling?

THOMAS:

I can only promise to try. It will be difficult. Card games are a part of my social life.

ELIZABETH:

Promise me Thomas. I won’t agree to marry you without your word on this.

THOMAS:

I promise you that I’ll love only you.

(beat) (cheekily)

And my mother of course.

ELIZABETH: (serious)

And the gambling?

THOMAS:

Oh dear. You really mean it.

(pause)

Very well. I promise that I’ll do my best to avoid gambling. I can’t make any other promise than that.

 

Elizabeth rises from the chair and stands before Thomas.   She smiles at him and takes his hand in hers.

 

ELIZABETH:

Then Thomas. My answer is yes.

(beat)

Yes, I’ll marry you.

 

FADE OUT.

 

© L J Horne. 2014.

 

I hope you are enjoying reading this piece.  It took a long time to get round to finally writing this piece, nearly twenty years in fact.  Many things kept me from writing it before now, and I will tell you about those things once the last episode has been posted, and you have had time to wonder what happened next.  Perhaps one day I will write that up too.